Review #733: 'The Pit and the Pendulum' (1961)

Coming second, after The Fall of the House Of Usher (1960), in Roger Corman's six-film series of Edgar Allen Poe adaptations (all but one starring Vincent Price), The Pit and the Pendulum is possibly Corman's greatest film as a director. Shot with a lush, atmospheric mood, Pendulum faces the task of stretching a two-page short story into a credible, 90-minute movie. Working with I Am Legend author Richard Matheson, who helms the script, the film retains the psychological trip of Poe's original, while creating an interesting and ironic plot surrounding a very small group of characters that leads us to Poe's famous pendulum.

In 16th century Spain, Francis Barnard (John Kerr) arrives at his brother-in-law's mansion to investigate the unclear and mysterious death of his sister Elizabeth (Black Sunday's (1960) Barbara Steele). Seemingly overcome with grief, Elizabeth's widower Nicholas Medina (Vincent Price) tells Francis that Elizabeth died of heart failure. Francis, however, seems unable to accept this and insists that he stay until he knows the truth. With the arrival of the family physician Doctor Leon (Antony Cabone), Francis slowly unravels the story of the 'heavy atmosphere' of the castle and the torture devices in the chamber, previously owned by Nicholas' father, a notorious torturer in the Spanish Inquisition.

Made for just $30,000, the film looks remarkable and the set design is a suitable mixture of the elegant and the grim. The movie noticeably lacks out-and-out scares, and opts for a more thoughtful, psychological approach. You could even go so far as to name the movie a period piece rather than a horror. Although his toes may creep over the ham line occasionally, the film is dominated by the presence of Vincent Price, who delivers a rather hypnotic performance, flicking between creepy, tormented and simply bat-shit crazy, with relative ease. The only real complaint about the film is the performance of John Kerr, who, although a promising leading man in the 50's, delivers a one-note, forgettable performance, but that is forgivable in a movie so rich in beauty. Corman should be truly proud.


Directed by: Roger Corman
Starring: Vincent Price, John Kerr, Barbara Steele, Luana Anders, Antony Carbone
Country: USA

Rating: ****

Tom Gillespie