Review #1,121: 'Tarantula' (1955)

One of countless 'big bug' features to come out of the U.S. during the 1950s, Jack Arnold's Tarantula is one of the most enjoyable of its kind. After Gordon Douglas' Them! really kicked off the fad in the previous year, Tarantula has everything audiences came to love about the genre; a dusty, middle-of-nowhere Arizona setting, the handsome yet charisma-free hero, the screeching love interest, the shady doctor who certainly knows far more than he is letting on, and, of course, the giant, 'terrifying' monster. What makes this film slightly more interesting than others of its ilk is the fact that it doesn't blame radiation on the deformed beast, but actually attempts to tell a story.

After renowned biological research scientist Eric Jacobs (Eddie Parker) is found dead in the desert, apparently suffering from a rapid form of acromegaly, Dr. Matt Hastings (John Agar) is called in from a nearby town to investigate. When Hastings suggests an autopsy to figure out what brought on such a rare disease and how it killed Jacobs so quickly, Dr. Gerald Deemer (Leo G. Carroll), one of Jacobs' colleagues, refuses his request and signs the death certificate himself. Back at Deemer's isolated desert research lab, it is revealed that the doctor has been experimenting on animals in a bid to save the future planet's food shortage, and has increased the size of a number of his subjects, including a tarantula. After a fire destroys Deemer's lab, the Arizona landscape is soon overshadowed by the giant, hungry arachnid. 

While a radioactive isotope does crop up at one point, the 50 foot spider is purely the handiwork of a scientist with good intentions rather than government nuclear tests, and therefore Tarantula creates an interesting and conflicted character in Caroll's Deemer. Caroll certainly chews every scene, but proves a far more appealing male lead than the bland Agar. Yet the real star of Tarantula is the creature itself. The combination of matte effects and the use of a real spider, which would later be used on The Incredible Shrinking Man (1957) have aged spectacularly well, only failing to convince during the brief close-up shots of the last thing a few poor (and seemingly blind) souls see before they're gobbled up. While the climax is over before you know it, there's fun to be had in trying to spot a young and uncredited Clint Eastwood as a fighter pilot. It's no longer scary (was it ever?), but it has charm by the bucket load.

Directed by: Jack Arnold

Starring: John Agar, Mara Corday, Leo G. Carroll, Nestor Paiva, Ross Elliott

Country: USA

Rating: ***

Tom Gillespie