Review #1,244: 'Wonder Woman' (2017)

It's incredibly sad to read about how many milestones Wonder Woman touches on, especially in this day and age where a high-profile Twitter user must consider every message they post to the world in fear of being racist, sexist, homophobic, or just plain insensitive. Despite the influx of superhero movies since Marvel kicked off their Cinematic Universe in 2008 with Iron Man, and despite the abundance of long-standing and hugely popular female superheroes existing in the comics, and despite audiences calling out for a female-led superhero film ever since Scarlett Johansson donned the leathers as Black Widow in Iron Man 2, studios have failed to deliver one in 12 years. Perhaps the studios were scared they would have another Elektra on their hands, but that movie failed because it was terrible, and was a spin-off from the also-terrible Daredevil.

The DC Extended Universe, in the face of the critical mauling they received last year with the double-whammy of Batman v Superman and Suicide Squad, can only be applauded for taking the much-overdue 'risk' of launching a female-led franchise with Wonder Woman, a movie that not only represents so much in terms of moving cinema out of a stone-age mentality and into the modern world, but surpasses all expectations in a time of superhero overkill. Wonder Woman is, above all, charming, funny and exciting, and will hopefully help steer the DCEU back on track after an incredibly wobbly start. Making her introduction in Batman v Superman and emerging as one of the few positive things to be said about Zack Snyder's overblown and poorly-constructed smack-down, Wonder Woman begins in the present day but flashes back to the time glimpsed in the black-and-white photograph sent to her by Ben Affleck's Batman, when World War I was in full flow and her heart was won by a spy named Steve.

The young Diana grows up on the island of Themyscira, a beautiful hidden paradise created by Zeus to be a home for the Amazons, a tribe of fierce female warriors tasked with protecting the world from the Greek God's evil, warmongering brother Ares. Diana's mother, Queen Hippolyta (Connie Nielsen), attempts to shield her from the horrors of war and forbids her to practice combat, while her auntie Anitope (Robin Wright) realises her potential and trains her in secret. Zeus left the islanders a gift, a weapon called the 'Godkiller', which will prove decisive when the battle with Ares finally stirs. Cue the arrival of Steve Trevor (Chris Pine), an Allied spy who stumbles on the island while fleeing the Germans. He brings death and war with him, and the Amazons want to kill him before Diana intervenes, revealing he saved her life. The tribe want nothing to do with a war waged by man, but Diana suspects Ares may be puppet-master behind the conflict that has taken millions of lives. Against her mother's wishes, she travels with Steve to London, where he reveals to his superiors German plans to release a devastating new mustard gas created by General Ludendroff (Danny Huston) and Spanish chemist Dr. Maru (Elena Anaya).

The word 'man' carries a special significance, and director Patty Jenkins carefully weaves this idea into the film without rubbing it in your face. As well as the violent, dangerous 'world of men' lurking across the waters, there is also No Man's Land, the stretch of mud and rubble separating the two warring fronts. This is a place that no man can hope to survive, and this sets up the triumphant moment seen in the trailers in which Diana deflects machine-gun fire with her bracelets and shield before taking out anybody daft enough to stand in her way. This scene is made all the more powerful by Gal Gadot, who puts in a terrific performance despite her lack of acting experience and puts all the doubters to rest, proving to be just as savvy with comedy as the action. The fact that we care so much about her also means that the CGI-heavy climax, which seems to be trend with DC, can almost be forgiven. Thanks to well-written character development and some charming chemistry between Gadot and the ever-brilliant Chris Pine, there is a real emotional investment that was lacking in DC's previous misfires. In terms of origin stories, this doesn't rewrite the rule-book, but the importance and significance of Wonder Woman should not be underestimated.


Directed by: Patty Jenkins
Starring: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, Danny Huston, David Thewlis, Elena Anaya
Country: USA/China/Hong Kong/UK/Italy/Canada/New Zealand

Rating: ****

Tom Gillespie