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Monday, 17 September 2018

Review #1,393: 'A Prayer Before Dawn' (2017)

Opening with a shot of the muscly, pale-skinned and heaving back of our protagonist, Jean-Stephane Sauvaire's A Prayer Before Dawn - his first feature since the eye-opening Johnny Mad Dog in 2008 - begins and ends with British newcomer Joe Cole, and the talented young actor dominates every scene in between. Best known for his role in Peaky Blinders, Cole delivers a performance of pure ferocity, and if there's any justice, this will do for him what the likes of Bronson and Starred Up did, respectively, for then up-and-comers Tom Hardy and Jack O'Connell. Based on Billy Moore's brutal memoirs of his time served in one of Thailand's most unrelenting penitentiaries, the film tracks his journey from the only Westerner in his cell with a target on his back to Muay Thai champion. While it may dabble in the tropes of the prison and boxing genres, it never really relaxes into either, making for an unsettling and visceral two hours.

Rather than opting for a comfortable, straight-forward narrative, Sauvaire prefers to capture the sweaty, overbearing atmosphere of Moore's new lodgings, heightening the sound design so every breath sounds like it's coming from your own head, and every punch rattles your brain. David Ungaro's cinematography makes the most of the tight, damp spaces, as the inmate's bodies pile over each other like sardines in their overcrowded cells. The film feels almost like an invasion of your personal space, and the fact that Billy sticks out like a sore thumb only increases the feeling that danger lurks around every corner. Billy's physicality and willingness to fight may save him from regular beatings and even earn him a level of respect amongst his heavily-tattooed, dead-eyed cell-mates, but he is still forced to watch the gang-rape of a young newcomer to remind the Westerner of his place. Although the story leads up to a climactic fight, it avoids cliche by offering no sense of build-up. Billy simply must fight in order to survive the night and battle his own pent-up demons.

Without a main character to carry your interest, A Prayer Before Dawn may be too much to bear. But Billy, whose reasons for being in Thailand in the first place and dealing the drugs that landed him in the slammer aren't explored, is a true force. Never asking for your sympathy, Billy struggles with heroin addiction - fed to him by a prison guard played by Only God Forgives' Vithaya Pansringarm - and is more than willing to beat somebody half to death to earn his fix. The rage that drives him comes from deep within, and his anger and self-destruction carries us along with him. Even when he is finally allowed to train in the gym, thanks for a routine cigarette bribe, his tendency to self-sabotage sees him almost screw up everything he's worked for. Billy also finds solace in a ladyboy named Fame (Pornchanok Mabklang), who is in prison for murdering her father and is kept in a separate part of the prison for obvious reasons. They form a bond through shared feelings of misplacement, and these scenes offer a reprieve from the unrelenting harshness of Billy's everyday routine. It's a tough watch, but there's always much to admire in a film that can leave you so mentally and physically exhausted.


Directed by: Jean-Stéphane Sauvaire
Starring: Joe Cole, Pornchanok Mabklang, Vithaya Pansringarm, Panya Yimmumphai
Country: UK/France/China/Cambodia/USA

Rating: ****

Tom Gillespie



A Prayer Before Dawn (2017) on IMDb

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