Review #1,432: 'The Grinch' (2000)

Although his popularity is unrivalled in the US, children's author and illustrator Dr. Seuss is considerably less popular in the UK, where instead Roald Dahl occupies this role as creator of wonderful stories to inspire and influence the imaginations of children across the country. However, this hasn't prevented Ron Howard's The Grinch, or How the Grinch Stole Christmas, from becoming a beloved Christmas movie and establishing itself as a regular feature across the channels over the holidays. Having read the joyful story by Dr. Seuss, which manages to pack in a welcome message about the true importance of Christmas alongside The Grinch's journey from the feared monster at the top of the mountain to humbled hero with a heart two sizes bigger, I fail to understand how anybody can find any magic in this overwrought, ugly and sickly vehicle for Jim Carrey's camera-mugging shtick.

The population of Whoville are eagerly awaiting the arrival of Christmas, frantically hoarding presents and preparing for the yearly 'Holiday Cheermeister' overlooked by the town's narcissistic mayor Augustus Maywho (Jeffrey Tambor). At the top of the mountain casting a shadow over Whoville is the Grinch (Carrey), a joyless and selfish green creature who loathes the Whos and their constant celebrations. Pushed to breaking point by the eternal singing blowing up the mountainside, the Grinch heads into town dressed as Santa to pray a prank on the townsfolk. Precocious 6 year-old Cindy Lou Who (Taylor Momsen) takes pity on the creature and tries talking to him, only to be shoved into a postal machine for her efforts. He ends up reluctantly saving her life however, so Cindy Lou starts to explore his past, learning that he was once an ugly child who ran away after being bullied. She wants to teach him about the true meaning of Christmas and show her fellow Whos that they have nothing to fear by nominating him as the Cheermeister, but the Grinch, armed with a sleigh, his trusted dog Max and a giant vacuum, heads into town with other ideas.

The immediate problem faced by screenwriters Jeffrey Price and Peter S. Seaman when adapting such a short tale is how to fill in the blanks with enough story and character development to stretch into a 90-minute feature, without losing the core message in the process. Apparently their plan was to hope Howard could create a colourful enough world to hold the kiddies' attention to cover up the glaring holes, and to throw in a number of meaningless sub-plots to add unwanted layers to characters who are charming for their simplicity. We get a backstory for the Grinch, along with a love triangle that will surely warm nobody's hearts, and enough time is saved so Jim Carrey can exhaustively flick his fingers and wrinkle his nose when he's not rolling around on the floor or eating glass. The film misses Seuss' point completely by making the Whos a bunch of intolerable consumers with pig-noses, who have long forgotten the more important things to savour during this time of year. It leaves just Cindy-Lou and her father as the only non-soulless, plastic robots with petty problems, so why would we care about them? Of course, it all heads towards the Grinch understanding that there is more to Christmas than material gain and gorging on food, but that doesn't stop the climax from being centred around saving everybody's presents. It's about spending time with your family and loved-ones you see, as long as there's plenty of crap to open come Christmas morning.


Directed by: Ron Howard
Starring: Jim Carrey, Taylor Momsen, Jeffrey Tambor, Christine Baranski, Bill Irwin, Molly Shannon
Country: USA/Germany

Rating: **

Tom Gillespie