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This is the kind of nihilistic and existential film that could have only be produced in the 70's, amidst the madness and folly of the Vietnam war. Harold is a child of this generation, and seems to embody the anger, loss and early loss of innocence that the children of this generation felt. Harold is born into a life lacking in meaning and direction, while Maude has lived a life full of purpose, and having been a prisoner in Auschwitz (in a moving blink-or-you'll-miss-it revelation) has endured the hardships and extremities of life. Harold, with his persistent fake suicides, seems to long for this.
All this sounds extremely heavy, but the film explores these themes with a feisty sense of humour, and an air of quirkiness found commonly these days in the films of Wes Anderson. The black comedy seems way ahead of its time. In one scene, Harold finds another potential wife at his home chatting to his mother. He greets the young lady with a very mature and pleasant manner, only to excuse himself and walk outside carrying a jug of petrol. As his mother and the young lady exchange pleasantries, Harold can be seen in the background through the window dousing himself in petrol and then seemingly set himself on wife. The young girl screams in horror as Harold's mother sits embarrassed, only for Harold to appear next to her as if nothing happened.
The relationship between Harold and Maude would probably be uncomfortable and strange in another director's hands, but with a fantastic script by Colin Higgins and a heartfelt soundtrack by Cat Stevens, the whole things is moving, profound and sweet. The film conjured up so many emotions in me as the credits rolled after the poignant final scene. Harold And Maude is in equal measures touching, intelligent, insightful, beautiful and extremely vicious.
Directed by: Hal Ashby
Starring: Ruth Gordon, Bud Cort, Vivian Pickles
Country: USA
Rating: *****
Tom Gillespie
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