There has been a wave of ugliness online in protest against the idea of female empowerment and Brie Larson's pro-feminist comments before the film even premiered, but an opening weekend of north of $500 million has silenced the haters and, with any hope, brought us closer to a future when a hero's gender or sexuality is irrelevant to a film's success. Captain Marvel is far from perfect. In fact, it relies heavily on Marvel's tried-and-tested origin story formula we saw a lot of when this universe was still in its first phase, although directors Anna Boden and Ryan Fleck toy around with the structure enough to keep things slightly less familiar. Anyone who was keen to write Captain Marvel off as an example of forced diversity should take the time to actually watch it. Don't get me wrong, the film takes a strong pro-feminist stance and tackles issues plaguing our modern world, but it does so with subtlety. Carol Danvers aka Captain Marvel is strong, confident, even arrogant at times, but just like Tony Stark or Dr. Strange, she is also flawed, troubled and - despite the mystery surrounding her ancestry - recognisably human.The warrior known as Vers (Larson) is a member of Starforce, an elite band of soldiers operating within the Kree Empire tasked with infiltrating the Skrulls, a race of shape-shifting aliens they have been at war with since before they can remember. Vers is troubled by dreams that feel like memories she does not remember, but her commander Yon-Rogg (Jude Law) trains her to put aside her emotion to focus on the enemy. During a mission to rescue one Starforce's own, Vera is captured by Skrull leader Talos (Ben Mendelsohn), who proceeds to dissect her memories before they all crash down on a strange, primitive planet. That planet is Earth, and the year is 1995. It isn't long before an eager, two-eyed agent of S.H.I.E.L.D. called Nick Fury (Samuel L. Jackson) is drawn to this mysterious stranger and is caught up in her desire to uncover the secrets of her past, along with learning of an intergalactic war that may one day threaten his home. With the help of old friend Maria Rambeau (Lashana Lynch) and a cat named Goose, Vers discovers that she was born Carol Danvers, and that everything she has been taught about who she is and what she's fighting for may actually be a lie.
Although Marvel have done period before with Captain America: The First Avenger back in 2011, Boden and Fleck were clearly having fun revelling in some 90's nostalgia. Although some of the music choices are a little on-the-nose, the appearance of a Blockbuster store and the sound of a dial-up internet connection will delight those, like me, who grew up in the decade. The big joke is that while Carol embarks on galaxy-hopping adventures with the Kree, down here on Earth everything takes an age to load. Captain Marvel switches seamlessly between these two extremes with good humour, and for a character that is destined to become the franchise's next cosmic powerhouse, the low-key approach to her origin actually works in the film's favour. It also allows time for Larson to develop the character, whether it be bouncing off Jackson's one-liners or discovering her old self with her best friend. Larson is great: strong but not over-powered, cocky but endearing. Despite Mendelsohn's scene-stealing, Larson ensures that it'll be Captain Marvel's appearance you'll be eagerly awaiting in the upcoming Avengers: Endgame. Formulaic? Certainly, but Marvel knows how to entertain, and they can't exactly re-define the genre with every film.
Directed by: Anna Boden, Ryan Fleck
Starring: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Lashana Lynch, Clark Gregg, Gemma Chan, Rune Temte, Djimon Hounsou
Country: USA
Rating: ****
Tom Gillespie
No comments:
Post a Comment