Miles Morales (Shameik Moore) is an average teenager who, like the majority of kids his age, look up to and admire their friendly neighbourhood Spider-Man (Chris Pine). When he isn't in school, Miles divides his time between his over-protective police officer father (Brian Tyree Henry) and his cooler, scrappier Uncle Aaron (Mahershala Ali). The latter encourages his nephew's passion for graffiti art, and as Miles works on his new project in an abandoned subway station, he is bitten by a radioactive spider. He starts to stick to his classmates and hear a voice-over in his head (one of the film's many clever ways of bringing the comic-book page to life), but he is faced with his biggest dilemma when he accidentally stumbles upon Spider-Man battling the Kingpin (Liev Schreiber), who is working on a particle accelerator with the ability to access parallel dimensions. The fight ends in disaster, with the machine opening up wormholes long enough to bring a host of parallel Spider-People into their world.With Kingpin threatening to reactivate the device and destroy the city, Miles carries the fate of his friends and family with him, but he is not alone. Helping the youngster master his new abilities are the overweight Peter B. Parker (Jake Johnson), Spider-Woman aka Gwen Stacy (Hailee Steinfeld), the black-and-white Spider-Man Noir (Nicolas Cage), wise-cracking cartoon Spider-Ham (John Mulaney), and SP//dr, a spider-controlled robot who shares a telepathic link with a young Japanese girl (Kimiko Glenn). Such a large collection of characters who each share similar yet personal origins could have been an overload, but directors Bob Persichetti, Peter Ramsey and Rodney Rothman - working from a script by Rothman and Phil Lord - wisely keep the focus on Miles, with the rest serving as the new Spider-Man's mentor in their own unique way. Rather than steal the attention away from Miles, the gang actually get to the root of what makes Spider-Man such a compelling hero. They may all be plagued by tragedy and loss, but they will prevail in their battle against evil with fearless determination and good humour. Spider-Verse understands the character better than Sam Raimi, Marc Webb and Jon Watts ever could, as good as some of the previous films have been.
This new host of Spider-People also provide some of the film's funniest moments, whether it be overly-serious brooding of Cage's Noir or the madcap anime weirdness of SP//dr. It's ever funnier than Homecoming, a film which embraced the comedic side of the hero, and isn't afraid to take hilarious digs at the failures of its predecessors (we all remember the Spider-Man 3 emo-dance and face-jiggle). Most impressive of all is Spider-Verse's groundbreaking animation, which combines various styles and techniques to create a truly stimulating experience that could be paused at any moment and admired as a stunning piece of art. The sight of Spider-Man gliding through the city skyline back in 2002 will forever remain iconic, but Miles' first leap from the edge of a building will inspire a whole new generation of fans with its vertigo-inducing imagery and dazzling neon colours. Of course, this would all be decoration if the characters and story didn't captivate, but Spider-Verse achieves this in abundance. Miles is a great hero to root for: confidant enough to justify his new power set, yet bumbling enough to be relatable to any teenagers watching. Fantastic all-round, and fully deserving of its recent Oscar win for Best Animated Feature.
Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman
Voices: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, John Mulaney
Country: USA
Rating: *****
Tom Gillespie
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