Review #1,411: 'Ramrod' (1947)

Feuding landowners have always been a popular subject matter for the old-school B-movie westerns, and on face value Andre De Toth's Ramrod appears to be cut from very familiar material. The presence of co-stars Joel McCrea and Veronica Lake no doubt attracted punters charmed six years earlier by their performances in Preston Sturges' masterpiece Sullivan's Travels, and they would be forgiven if they thought they were in for some light-hearted white hat vs. black hat cowboy fun, with a little bit of romance sprinkled in for good measure. In fact, Ramrod couldn't be further away from Sturges' romp in terms of tone, with De Toth revelling in the cynicism of all but one of its central characters. Based on a story by legendary Western author Luke Short, this is a tough, twisty horse opera that pushes its characters into morally murky territory, sharing more in common with the film noir genre than the tropes of a western.

As the film opens, we are already at the boiling point of a conflict between powerful ranch owner Frank Ivey (Preston Foster) and sheepherder Walt Shipley (Ian MacDonald). Walt wants to bring sheep to the land, a big problem in cattle country. Caught in the middle of the feud is Connie Dickason (Lake), the beautiful and headstrong daughter of rancher Ben (Charles Ruggles). Her father wants Connie to marry Ivey, but she detests his bullying, violent manner and prefers to marry Walt instead. As it turns out, Walt doesn't have the stomach for a fight and flees town, leaving his Circle 66 ranch to Connie. Rather than caving to Ivey's demands for the land, Connie hires the stoic Dave Nash (McCrea) as her 'ramrod', or foreman, who feels indebted to Walt for taking him in when he was at his lowest. Dave accepts, but only on the promise that he is allowed to deal with Ivey peacefully, and without resorting to violence. He hires the free-spirited Bill Schell (Don DeFore) as back-up, but as Ivey and his gang employ increasingly brutal methods and Connie loses patience with Dave's restraint, alliances are forged and broken as the conflict spirals out of control.

Despite the magic they made together working with Sturges, I've never been particularly fond of either McCrea or Lake as actors. They have the screen presence, certainly, but they can both come across as empty shells. They are undoubtedly the weakest aspect of Ramrod, a film that is otherwise riveting from start to finish. The story is complicated enough to hold your interest for the duration, with supporting characters emerging to play a more important role that you were expecting, and revealing hidden layers that provide plenty of twists and turns. Indeed, Ramrod would be pretty pedestrian if Dave's methods proved to be the only way, and as his grip on the situation loosens when the back-stabbing and dirty dealings start to play out, the film heads into pure film noir territory. As the bodies start to pile up and the gun-fire becomes more frequent, De Toth forces his characters down some incredibly dark paths and doesn't wimp out of the difficult corners he backs them into. This is tough and exciting stuff, made all the more interesting by the way De Toth toys with the myth of black against white. The weakness of the leads is countered by some excellent supporting players, in particular Foster and DeFore.


Directed by: André De Toth
Starring: Joel McCrea, Veronica Lake, Don DeFore, Donald Crisp, Preston Foster, Arleen Whelan, Charles Ruggles, Lloyd Bridges
Country: USA

Rating: ****

Tom Gillespie

Review #1,040: 'Airplane II: The Sequel' (1982)

The original Airplane! from 1980 is highly regarded as one of the funniest films of all time, and most certainly the best 'spoof' ever made. Boasting the writing talents of David Zucker, Jim Abrahams and Jerry Zucker (Z/A/Z), the film accurately lampooned the formulaic disaster movies from the 1970's, which commonly boasted a ridiculously large roster of former A-list superstars to battle against whatever crisis they found themselves caught up in. It was a huge success, but Z/A/Z scoffed at the idea of a sequel. Paramount decided to go ahead and make one anyway despite the protestations of the creators, and hired the writer of Grease 2 (1982) to make the magic happen once again.

Predictably, Airplane II - amusingly subtitled The Sequel - doesn't come close to matching the hilarity of the original, doing what most bad comedy sequels do and re-hashing most of the humour that worked so well previously, only without the same conviction or execution. Most of the original cast return, and this time find themselves on board a lunar shuttle named Mayflower One headed for the moon (it's set in the near future). It short-circuits, causing its on-board AI to go insane and change course for the Sun. Ted Stryker (Robert Hays), the hero from the first movie, escapes from the insane asylum he was placed in by his employers after he discovered technical problems with the space shuttles, and boards the Mayflower in the hope of averting disaster. Also on board is his old flame Elaine (Julie Hagerty), who is now engaged to one of the flight crew, Simon Kurtz (Chad Everett).

Despite the absence of the original writers, there are still a few laughs to be had throughout the film, namely in the form of the permanently stressed and chain-smoking air traffic controller Steve McCroskey (Lloyd Bridges) and his incessantly chirpy assistant Jacobs (Stephen Strucker). There are welcome new faces as well, such as Chuck Connors, Raymond Burr, Rip Torn and William Shatner. But the saddest thing is that the best jokes are the ones re-worked from the original, with writer/director Ken Finkleman failing to inject enough humour to make this one stand out on its own and not just be remembered as the weak sequel to one of the funniest farces ever made. The surprise stand-out from the original, the late, great Leslie Nielsen, also sadly doesn't return. Zucker/Abrahams/Zucker claimed on a DVD commentary that they have never seen this film, and they'd probably do well to keep it that way.


Directed by: Ken Finkleman
Starring: Robert Hays, Julie Hagerty, Lloyd Bridges, Peter Graves, Chad Everett, Chuck Connors, William Shatner, Raymond Burr
Country: USA

Rating: **

Tom Gillespie

Review #94: 'Airplane!' (1980)

When cab driver Ted Striker (Robert Hays) tries to win back his girlfriend Elaine (Julie Hagerty), she tells him its over and boards a plane where she works as an air hostess. Quickly boarding the same plane without her knowledge, he aims to win her back. But when the pilots and passengers are struck down by food poisoning, its down to Striker, an ex-pilot haunted by his memories of war, unorthodox doctor Rumack (Leslie Nielsen) and an inflatable co-pilot to help steer its passengers to safety. Also, the pressure is on the air traffic controllers who must help Striker overcome his fear of flying, so they bring in Striker's old commander Rex Kramer (Robert Stack).

Spoofing the old airplane disaster films of the 70's, Airplane! is quite possibly the best spoof ever made. Back in the day when Jim Abrahams and the Zucker brothers were inspired and were actually capable of making good films, they don't miss any opportunities. I've never seen a film so packed and condensed with visual gags and witty jokes literally from beginning to end. This was Leslie Nielsen's first comedy role, and from the moment an air hostess asks him if he's a doctor and he sits their straight faced with a stethoscope round his neck and says 'yes, I'm a doctor', it's clear that they have stumbled upon someone truly special. Spending most of his career as a leading man (notably in the fantastic Forbidden Planet (1956)), he was a true find as a comedy actor. There are many so funny moments that I felt exhausted when it ended.

Directed by: Jim Abrahams, David Zucker, Jerry Zucker

Starring: Robert Hays, Julie Hagerty, Leslie Nielsen, Lloyd Bridges

Country: USA

Rating: *****

Tom Gillespie