Showing posts with label Robert Loggia. Show all posts
Showing posts with label Robert Loggia. Show all posts

Sunday, 15 January 2017

Review #1,138: 'Independence Day' (1996)

What I remember about Roland Emmerich's Independence Day as I child is the cheesy one-liners, that Presidential speech that has everymen and war heroes alike puffing out their chest with patriotism, and a portrayal of a world where America acts as the sole voice of reason to a bunch of lesser powers who fully embrace their own stereotype. I always hated it, and could not fathom why the movie had gathered such a loyal army of fans throughout the years, even amongst critics. The film was, and still is, very much a modern-day blockbuster, but watching it again 15 or so years later, it now seems wonderfully old-fashioned.

Dismissing the more studious, and admittedly more intelligent, first contact movies of the 1970s as liberal wishful thinking, Independence Day harks back to the alien invasion pictures of the 50s, where a more us-against-them approach catered to the Cold War-influenced paranoia of the time, and squared-jawed heroes, loony scientists and military personnel alike put their heads together to defeat a force from outer space. Here, we get Will Smith as Captain Steven Hiller, a hotshot pilot who manages to capture one of the tentacled martians after a disastrous dogfight; Jeff Goldblum as David Levinson, a genius satellite technician who uncovers the aliens' plans; and Bill Pullman as President Thomas Whitmore, a young ex-pilot going through an image crisis.

The posters and trailers focused on the image of the giant alien ship looming over major American cities, and indeed the moments of catastrophic destruction (usually of famous landmarks) and giant energy beams still manage to amaze, with the special effects still holding up 20 years later. Yet the movie spends most of its time at ground level, and crams it with enough characters and side-stories to fill another 3 films. The three central, intertwining stories aside, we also have a sub-plots involving Hiller's wife Jasmine (Vivica A. Fox) encountering the wounded First Lady (Mary McDonnell), and a boozed-up crop duster played by Randy Quaid, whose claims of alien abduction have made him a laughing stock. Throw in Robert Loggia, Judd Hirsch, Harvey Fierstein and Brent Spiner, and there's enough going on to make your head spin.

Yet Independence Day manages to burst through the convolution by sheer force, delivering a story that is simplistic, ham-fisted and very stupid, but never unspectacular. The three leads help make their characters memorable and incredibly likeable with charisma alone, as the script never allows them to be anything more than an archetype. It's the very definition of big, dumb and fun, and was a bit of a game-changer in its day. Disaster movie audiences were no longer satisfied unless they witnessed carnage on a global level, and blockbusters today are still trying to replicate the success of 'ID4', including the director himself, who tried and failed on an astronomic level with the utterly atrocious 2012 (2009). I didn't see it coming, but my opinion of Independence Day has completely changed. Perhaps the movie's age gives it a nostalgic charm it never had before, so I'm hardly anticipating the sequel.


Directed by: Roland Emmerich
Starring: Will SmithJeff Goldblum, Bill Pullman, Mary McDonnell, Judd Hirsch, Robert Loggia, Randy Quaid, Vivica A. Fox, Brent Spiner
Country: USA

Rating: ****

Tom Gillespie



Independence Day (1996) on IMDb

Sunday, 15 May 2011

Review #67: 'Over the Top' (1987)

Awww....the 1980's. A time that seems so quaint. A time when problems could be quite easily solved with muscle and sport. Just the fact of winning could bring you the girl of your dreams, the many material wealth that you could hope for. Or, in the case of Over the Top, it could win the affections of the son you abandoned ten years ago.

Stallone brings his laconic acting style to this late-80's Rocky (1976)-style tale of a working class dad who left his wife and son in undisclosed circumstances ten years previously. His ex-wife was the daughter of a very rich man (played by Robert Loggia), weirdly never to see his son again. She is, at the start of the movie, dying of heart failure. Their son, Mike (David Medenall), has been educated in a military school. Christina's (Susan Blakely) last wish is that Mike's father drive him to the hospital to see her so that they may get to know each other. So the working class trucker (Stallone) arrives at the military school to know his father. A quite founded concept considering he has not seen him for years and the fact that his grandfather (Robert Loggia) has fed him false stories about his dads misconduct.

So begins the obvious, cliche ridden tale of father-meets-son, son-hates-father, but all ends well!!
But, I have to say, this is the first time that I have watched this movie since it was released on video, either in 1987 or 1988, and I cannot say that I did not enjoy it. There is an endearing quality in the growing relationship between father and son. Maybe this is the drink talking, but I enjoyed its utterly silly machinations. The main crux of the film is pivoted on the competition that Licoln Hawk (Stallone's character) is planning to compete in in Las Vegas - a world arm wrestling competition. A very working class style of machismo, that would win the heart of any son (sic).

After the death of Christina (Mikes mother/Lincolns ex-wife), the grandfather is determined to get custody of Mike. Something which is highly likely considering the fact that he is rich, and Lincoln is utterly poor. Despite earning the trust of Mike, Lincoln is abandoned by him, and is left alone to compete in the competition. He pawns his truck (the only form of income he has) before entering, and bets all the money on himself to win, he hopes to win the $10,000.00 prize, along with the uber-smart truck on offer.

There are many inconsistencies in the film, but they fall to the side. It's a completely absurd concept, yet I found myself totally absorbed in the growing relationship between father and son. Now this is certainly not something I would have come across as I watched as an 11 year old child. Maybe age has rendered me pathetic! This was the main focus as I watched the film. I mean, we can't genuinely for one second believe the performance of Stallone; he just plays the same role he always did. The use of bad, almost incomprehensible speech, with the dour eyes and wonky mouth. But his performance is a little touching! (I just vomited in my mouth!).

Ok, so we all know the end result, even if we have not seen the film. All is well (just like in real life - ha ha). Well, anyway. Lincoln makes it to the Las Vegas competition, where there is hot competition. He is a newcomer to the event, so odds are against him.

I have to give special comment to the arm wrestling contender John Grizzly. There are snippets of interviews with some contestants who give comment. Gotta love Grizzly's one: "When I get to the table, I don't care who they are, they're my mortal enemy. I hate them". So direct. The final 'battle' (if you like), or if it were musically challenged, the montage, is the most fun part (well, of course). It's fucking stupid; but it's silly fun. As Lincoln steps up to meet the final challenge, a huge mammoth of a man. It is dubbed a competition of David and Goliath; a clear parallel to the American/Russian paradox in Rocky IV (1985), just without the political content.

Well, it's pretty obvious that the final arm wrestling match is barely about the winning of money and trucks; it is in fact the chance for Stallone to not only win the money, but the get to buy his son back from his rich granddad. Oh, how money buys you happiness! It is a kind of perfect 1980's strategy. Money buys you love - fuck the Beatles concept said the '80's. Yes it can!! Just see John Hughes' Weird Science (1985) for proof of this analogy! Haha. It is a massive shame on my general moral and ethical opinion that I actually enjoyed watching this film. I didn't even want to punch the child-actors face considerably. Now that is a novelty in any film where the kid is prominent!


Directed by: Menahem Golan
Starring: Sylvester Stallone, David Mendenhall, Robert Loggia, Susan Blakely
Country: USA

Rating: **

Marc Ivamy



Over the Top (1987) on IMDb

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