After spending way too much time going over what occurred in the first two documentaries (about 45 minutes - which is a massive drag if you've just watched them back-to-back), we finally get to new ground as new interviewees give statements and leading experts in their respective fields give lectures uncovering new revelations about misinterpretations and misconduct given by the original trial 'experts'. Much of the trial focused on these murders being the work of ritualistic sacrifice due to the sexual mutilations of the victims and scratches left on their persons. It turns out that these are clearly the work of animals, most probably turtles (the area where the bodies were found is nicknamed 'Turtle Hill'). It reveals poor research by the original lawyers working for the defendants, and general ineptitude by basically everyone involved back in 1993/94.
Purgatory commits the same sin as Revelations, as suspicion moves from a noticeably more subdued John Mark Byers - who is now a supporter of the West Memphis Three and pen-pal to Echols - to Terry Hobbs, stepfather of Stevie Branch. Although, accusations don't come from character alone, but instead stem from a hair found within the knot of the shoelace with which the boys were hog-tied with and some alarming inconsistencies in Hobbs' story. But (ironically), this is something for the court to pursue and not documentary film-makers. The ending, which sees the West Memphis Three released from prison but not with their innocence intact, comes out of nowhere, as filming had already wrapped when the court called the plea appeal. For a more satisfying closure to the story, I would recommend West of Memphis (2012), which gives a more detailed account of their release, and also a more focused and detailed investigation of Hobbs. Still, it's a relief to finally watch these three walk free, even though it leaves a bitter taste in the mouth.
Directed by: Joe Berlinger, Bruce Sinofsky
Starring: Damien Wayne Echols, Jason Baldwin, Jessie Misskelley
Country: USA
Rating: ***
Tom Gillespie
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