In 1959, wealthy real estate developer Michael Courtland (Cliff Robertson) receives a ransom note demanding $500,000 in cash for the return of his wife and daughter. The police are notified, and following a botched arrest, his wife and daughter are killed in a getaway car. Fifteen years later, Michael, who seems to exist in a state of reserved grief, arrives in Florence with his friend and business colleague Robert Lasalle (John Lithgow) to tie up a land deal. While visiting the church he met his wife years before, he meets a young painter named Sandra (Genevieve Bujold) who is the exact doppelgänger of his dead wife.
For all its frequently ridiculous and quite predictable twists and turns and overwrought melodrama, Obsession succeeds thanks to some stylish direction from De Palma and Bernard Herrmann's lavish, Oscar-nominated score. You can see the ending a mile away, but it does include a nice twist that borders on the repulsive, and with Robertson's subdued performance and Lithgow's reliable charismatic sidekick, the film never becomes quite as silly as it really should be. The main influence here is obviously Vertigo (1958), but retains none of the psychological mystery of Hitchcock's masterpiece, taking a more direct thriller route instead. Don't expect any plausibility (even the most absent-minded viewer could pick apart the plot), but if you can put this aside - or even welcome it - Obsession is a memorable little thriller that is surely due a small revival.
Directed by: Brian De Palma
Starring: Cliff Robertson, Geneviève Bujold, John Lithgow
Country: USA
Rating: ****
Tom Gillespie
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