After encountering Petit on a radio show, what struck director Marsh so much about the story is how the meticulous planning that went into this highly illegal act and the round-up of Petit's assisting crew resembled that of a heist movie. With thrilling reconstructions, cleverly played out with silhouettes and shadows, we witness the intense research that went into making this extremely dangerous stunt feasible and safe, the various undercover operations done in plain sight to gather visual information on the building, and of course, the job itself. At one point, Petit and a colleague hide from wandering security officers under a plastic tarp for what feels like an eternity. Ever wondered how they got the wire over that tremendous drop? Well, now you'll know, and it's probably not how you thought.
The central spectacle aside, Man on Wire is very much about Petit himself. Narcissist, egotist, attention-seeker - he is of course all of these things (what great performers aren't?) - but he is also highly intelligent, charismatic, and uses beautiful language when he talks. From a young age, he dreamt of walking in the clouds, and his early life was neatly synchronised with the construction of the World Trade Centre, to which he kept close tabs on over the years. Dazzling crowds with a unicycle and slight of hand tricks, Petit trained for his ultimate goal by walking between towers at Notre Dame Cathedral and Sydney Harbour Bridge. But the World Trade Centre remained an almost mythical entity to Petit, something that was built for him and something he was born to conquer.
Anyone who suffers from a fear of heights may perhaps want to avoid the film. While his climactic walk in New York is shown only with still photographs (no video footage was taken from the top), his previous walks are caught in all their vertigo-inducing glory. Yet these stunts aren't designed to terrify, and although they certainly forced my heart into my mouth, they create an almost transcendent sense of wonder. When recollecting the World Trade Centre walk, many of Petit's accomplices break down in tears. This was a truly special thing - a man literally walking in the clouds - and it is something that can never be done again. It's also fitting that the 9/11 attacks are not mentioned in the movie, as this is as a much a love-letter to the memory of the twin towers as it is to the human spirit of Philippe Petit.
Directed by: James Marsh
Starring: Philippe Petit
Country: UK/USA
Rating: *****
Tom Gillespie
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