Although they are essentially 'football' hooligans, Clarke makes a point of showing little of the game itself. Apart from the glimpse of Arsenal's old Highbury stadium and a Sunday-league kick-about at the start, the beautiful game is little more than an excuse for these idiots to go to town on each other. ICC ringleader Bex (Gary Oldman) hopes to unite rival firms in order to take on the Europeans in the upcoming Europeans Championships, but his opposite numbers, including the particularly loathsome Yeti (Philip Davis) of the Buccaneers, inform him that his firm must rumble with theirs first if he wants to be top dog. This however is only a loose plot that binds together what is ultimately a slice-of-life approach.
While the media portrayed these men as disaffected youth, a lot of them were in fact middle-class, able to afford fancy cars and suburban housing. Bex is happily married with a young son, making a comfortable living as an estate agent. When his son picks up his father's Stanley knife and starts to chew it, Bex's domestic life is thrown into disarray. It's in these quieter moments that the film is at its most disturbing, and in truth, there is less violence on show than the controversy drummed up on its release would have you believe. And when it does come - a young ICC member gets a particularly nasty face slashing - its all the more powerful. The open-ended final scene holds back from making any overt social or political statements but instead lingers with an observant fascination at these lager-swilling arseholes. Like with Scum and Made in Britain, The Firm defines the mentality of Britain at the time, and features what is undoubtedly Oldman's finest performance.
Directed by: Alan Clarke
Starring: Gary Oldman, Lesley Manville, Philip Davis, Charles Lawson
Country: UK
Rating: ****
Tom Gillespie
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