With Jean-Francois Richet's Blood Father, the years of hard living etched on Gibson's face have never served him better. His character John Link, the recovering alcoholic ex-con getting by as a tattoo artist in a trailer park, acknowledges his past mistakes in the opening scene at an AA meeting, almost as if Gibson himself is pleading forgiveness for his behaviour. He is trying to live straight and keep his parole officer happy, but his peaceful existence is soon turned on its head when his daughter Lydia (Erin Moriarty), missing for years, turns up with the police and a Mexican cartel hunting her down. Fearing losing the daughter he failed when she was still a child, John takes her on the road and uses the skills he learned as a criminal to keep her out of harm's way.
With Mad Max (1979) clearly serving as an inspiration, Blood Father is pure B-movie exploitation. It's the kind of film you could imagine being made in the 70's with Peter Fonda in the lead role and Roger Corman producing. That said, and despite the odd explosion of action and violence, the focus is mainly on character. While this would normally be a good thing, it does so via every cliche imaginable. There's the wanted posters, news reports in dingy hotel rooms, changing of hair colour, and a climactic shoot-out, and it frequently felt like I had seen the film before. It's best when at its most furious, racking up the tension as Link faces a neo-Nazi biker gang and Lydia's drug-lord ex-boyfriend Jonah (Diego Luna). It might just be enough for Hollywood to embrace Gibson again, and from his performance here, I realised just how much I miss him.
Directed by: Jean-François Richet
Starring: Mel Gibson, Erin Moriarty, Diego Luna, Michael Parks, William H. Macy
Country: France
Rating: ***
Tom Gillespie
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