Logan is a brutal, angry movie, and more than warrants its 'hard' R rating. It's no gimmick, nor is it a cash-in on Deadpool's success. Superhero movies don't need to follow the Marvel formula of good, clean, family-friendly fun, nor DC's preference for muted colours and CGI-overkill, world-threatening set-pieces. In fact, Logan doesn't feel much like a superhero movie at all. Here, the former cage-fighting, time-travelling X-Man (although it isn't entirely clear where the story fits into Fox's ever-confusing timeline) is an old man, dying of some mysterious illness and battling alcoholism and depression. He is bearded, grey, and wrinkling, and his torso covered in grisly scars from some unspoken former battles. When he uses his claws, his knuckles seep with puss. We're in 2029, and all but three mutants are dead. We don't know why, but Logan is intent on living out his remaining days looking after a senile Charles Xavier (Patrick Stewart) with clairvoyant mutant Caliban (Stephen Merchant), working as an Uber limo driver to fund the medicine required to keep Charles' dangerous telepathic seizures in check.
People start to look for Logan. Gabriela Lopez (Elizabeth Rodriguez), a nurse working for corporation Alkali-Transigen, wants him to transport both her and an eleven year girl named Laura (Dafne Keen) to a place in North Dakota called 'Eden'. Logan is also questioned by Transigen's chief of security Donald Pierce (Boyd Holbrook), a cybernetically-enhanced thug who seems to be searching for the little girl. When Gabriela turns up dead and Laura ends up in his care, Logan is forced to take Charles on a road trip to escape Pierce and his Reavers, and to seek out the mysterious Eden. Caliban is abducted by Transigen head Dr. Zander Rice (Richard E. Grant), who forces the albino to use his powers to track down the fleeing mutants and take back Laura. It is revealed that the young girl is one of many mutants experimented on by Rice in the hope of turning them into weapons, and that she possesses the same adamantium claws as Logan.
For a character who has seen and done pretty much everything over the past 17 years, it feels a fitting time to draw the curtains. Knowing that another run-of-the-mill superhero adventure wouldn't do the mutant justice, Mangold has done what no other studio movie has done before and portrays the superhero at the ends of his days, trying to bury the past while haunted by his deeds. While Logan does throw in a couple of exciting - and utterly brutal - set-pieces, this is an incredibly sombre experience. It's about getting old, loneliness, and rediscovering a reason to live. Jackman has never been better, and Keen is a real find. Their shared scenes are touching and often hilarious, and with the presence of the ever-reliable Stewart, the trio form an amusingly dysfunctional family unit. While there is an issue with a bland villain who brings back memories of that horrific climax in X-Men Origins: Wolverine (2009), this is a damn near-perfect last hurrah for a character who comic book fans have been hoping would fully unleash his berserker rage for years. Farewell then, Logan aka Wolverine, until the inevitable reboot.
Directed by: James Mangold
Starring: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Elizabeth Rodriguez, Richard E. Grant, Eriq La Salle
Country: USA/Canada/Australia
Rating: ****
Tom Gillespie
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