Saturday 15 September 2018

Review #1,391: 'Jurassic World: Fallen Kingdom' (2018)

Everybody's favourite mathematician, Dr. Ian Malcolm, warned misguided entrepreneur John Hammond 25 years ago of the perils of playing god and re-awakening dinosaurs from their extinct slumber. Of course, he was right, and the result was a personal childhood favourite. What he didn't foresee were the increasingly numbing sequels that would follow in the wake of Steven Spielberg's 1993 classic, which serve as a reminder not only of Spielberg's magical touch (let's pretend he wasn't responsible for The Lost World), but that general audiences will happily hand over their money to watch the same thing again and again. Jurassic World was unbelievably stupid, but its slightly schlocky attitude managed to scrape it a pass. Somehow, it became the third highest-grossing film of all time, so a sequel, or a trilogy (why not?), was quickly set in motion. Despite attracting a fantastic director in J.A. Bayona, Jurassic World: Fallen Kingdom is the dullest entry since Jurassic Park III and manages, once again, to somehow make dinosaurs boring.

In the wake of a devastating volcanic eruption on Isla Nublar, Jeff Goldblum's Ian Malcolm is back to warn the U.S. Senate that rescuing the soon-to-be-lava-toast dinosaurs could have devastating repercussions for humanity, and once again states his belief that such unnatural tampering should have never been attempted in the first place. Protesters have gathered across the country in an attempt to convince the government that these creatures deserve another chance, and just when you think the film will serve as an allegory of our own mistreatment of the planet, the action zips across to Claire Dearing (Bryce Dallas Howard), who has set up a fundraiser to rescue the animals. The efforts of Claire and her cronies Zia (Daniella Pineda) and Franklin (Justice Smith) have failed to raise enough cash, but things look up when Claire is invited to the estate of Benjamin Lockwood (James Cromwell), John Hammond's former partner. Lockwood and his slickly-dressed aide Eli Mills (Rafe Spall) reveal a plan to rescue as many dinosaurs as they can and transport them to another island facility, where they will live in isolation and peace.

As soon as you set eyes on the mercenary team led by Ted Levin's Ken Wheatley, you'll have figured out exactly where the story is going and what everyone's motives are. Mills' combination of slicked-back hair and friendly demeanour is a dead giveaway, and Jurassic World: Fallen Kingdom continues Hollywood's recent obsession with the amoral corporate bad guy. Wheatley's is Pete Postlethwaite's character from The Lost World, only without the gravitas and sense of backstory. Of course, their plan is to steal the dinosaurs and sell them on the black market, backed by Toby Jones' millionaire auctioneer Gunnar Eversol. They've also been working on their own little project, the Indoraptor, the genetically-modified brainchild of mad scientist Dr. Wu (BD Wong). Thank God then, that amidst all of this mess emerges the lovable face of Chris Pratt, dressed in manly clothes and building a manly house. Pratt's Owen Grady and Claire ended Jurassic World as a happy couple, but they have since drifted apart, presumably because Owen only plays by his own manly rules. They are reunited because Claire wants him on Isla Nublar, and we remember what little chemistry they share. But Pratt is charismatic and hugely likeable, a true movie star should he ever find a decent role outside of Guardians of the Galaxy.

What makes Jurassic World: Fallen Kimgdom so unforgivably dull is the sheer lack of care taken with the set-pieces. One thrilling struggle under water - shot with one impressively long take - aside, Bayona and writers Derek Connolly and Colin Trevorrow don't seem particularly interested in exploring fresh ways to pit man against dinosaur. The opening scene, shot in near darkness, sees an unfortunate soul stalked and gobbled up by one of the predators, but the piece is crafted with such lazy editing and unimaginative build-up that it barely raises the heartbeat. For a director who conjured such wonderful atmospheres in The Orphanage and A Monster Calls, Fallen Kingdom is glaringly hollow, and the whole thing reeks of movie-making by committee. The dinosaurs relocation from jungle to Mills' underground laboratory - a labyrinth of corridors, control rooms and difficult-to-close dumbwaiters - is the only thing that really passes for invention, and it's a relief not have to watch the characters hunted in the jungle once again. The ending leaves the future of Hammond's dinosaurs as something to be explored in the next film, but there is little doubt that this franchise will strut on for many years to come. My investment in it, however, has all but vanished entirely.


Directed by: J.A. Bayona
Starring: Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, Ted Levine, Jeff Goldblum
Country: USA

Rating: **

Tom Gillespie



Jurassic World: Fallen Kingdom (2018) on IMDb

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