Showing posts with label Alden Ehrenreich. Show all posts
Showing posts with label Alden Ehrenreich. Show all posts

Sunday, 23 September 2018

Review #1,394: 'Solo: A Star Wars Story' (2018)

During the countless times I watched George Lucas' original Star Wars trilogy as a child, teenager and adult, I don't recall ever wondering how Han Solo became the sarcastic, smirking smuggler that definitely shot first. Ever since Disney acquired Lucasfilm and announced that not only would they be continuing the story that began back in 1977 but would also be giving some of the fan-favourite supporting characters their very own spin-offs, there's been a split in the fandom between those gagging for anything Star Wars related on the big screen again and those opposed to a project that would both render the many beloved novels set in the Star Wars universe as un-canon, and undermine the story already told. Rian Johnson's The Last Jedi is either loved or hated (I loved it), but the one announcement that brought all the fans together in united opposition was Han Solo's very own spin-off, which would be set in the past and not feature the man who helped make the character so iconic, Harrison Ford.

You may not care just how Han won the Millennium Falcon from Lando Calrissian, or how he met Chewbacca, or how he got his hands on that cool blaster, or how he made the Kessel Run in under 12 parsecs - but Solo: A Star Wars Story is going to tell you anyway. While this isn't necessarily a bad thing, it does give Solo a sense of weightlessness and the feeling of a filler episode in the middle of television series with too many episodes. With such little stakes at play, the success of Solo comes down to the charm of its actors, and the casting of Alden Ehrenreich was a very shrewd move indeed. He isn't a famous name, or even a pronounceable one, but his scene-stealing performance in 2016's Hail, Caesar!, where he managed to overshadow the likes of George Clooney, Tilda Swinton, John Brolin and Ralph Fiennes, bristled with star quality. Harrison Ford could never be replaced and Ehrenreich seems to know that, so while every now and then you get a glimmer of Ford's smile and his iconic one-handed shooting stance, Ehrenreich makes the role his own, replicating the charisma and infusing it with a youthful innocence.

We first meet Han hot-wiring cars on Corellia, an awful planet where orphaned children are forced to steal for slug-like gang-boss Lady Proxima (voiced by Linda Hunt). With their lives in danger from the local gangs, Han and his lady friend Qi'ra (Emilia Clarke) decide to make a break for it, but at the airport they are separated, with Han fleeing to join the Imperial Navy and Qi'ra taken away by her pursuers. Three years later, Han is serving in the Military after being kicked out of the Flight Academy, fighting as an infantryman on a planet called Mimban. There he encounters a gang of criminals posing as Imperial soldiers led by the enigmatic Tobias Beckett (Woody Harrelson) and attempts to blackmail them into letting him join them. Instead, he is thrown into a pit for desertion, where he meets the formidable Chewbacca (Joonas Suotamo). They escape and manage to convince Beckett to enlist them for a job to steal a shipment of coaxium. Now officially an outlaw, Han is brought into a dangerous world controlled by a criminal syndicate called Crimson Dawn. Beckett answers directly to crime boss Dryden Vos (Paul Bettany), whose favourite advisor is a young lieutenant named Qi'ra.

Solo likely won't convince those soured by The Last Jedi or especially those who failed to see any potential in Han Solo origin movie in the first place, but it may be a nice, if forgettable, surprise for some. Like the other 'Star Wars Story', Rogue One, Solo was hit with numerous problems during production, the most notable being the firing of Phil Lord and Christopher Miller and the subsequent hiring of Ron Howard. Star Wars has always been a rule-bound universe, and Lord and Miller's loose, improvised style was perhaps too much for studio executives looking for a guaranteed hit. Howard was a reliable, safe choice, but one has to wonder how much fun Solo could have been in the hands of those responsible for 21 Jump Street and The LEGO Movie. What we have is a perfectly entertaining adventure movie that is surprisingly coherent given the patchwork built into it, but nothing worthy of the Star Wars banner. History will remember the film as the first Star Wars flop, and will cause historians to wonder why they didn't choose to given Donald Glover's Lando his own movie instead. On a positive note that will no doubt unite the fan-base, a box-office return of south of $400 million seem to have woken Disney executives up to the idea that there is such a thing as too much, too soon.


Directed by: Ron Howard
Starring: Alden Ehrenreich, Joonas Suotamo, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Paul Bettany
Country: USA

Rating: ***

Tom Gillespie



Solo: A Star Wars Story (2018) on IMDb

Tuesday, 21 June 2016

Review #1,037: 'Hail, Caesar!' (2016)

When a film-maker builds up such a formidable body of work, it's all the more crushing when their next project falls somewhat flat. The Coen brothers Joel and Ethan have been churning out genre-bending masterpieces ever since 1984 with Blood Simple, and maintained a healthy independent spirit until they were eventually noticed by mainstream Hollywood with 1996's Fargo. Ever since, despite still serving up great work such as No Country for Old Men (2007) and Inside Llewyn Davis (2013), their filmography has been occasionally blighted by bewildering misfires such as the double-whammy of Intolerable Cruelty (2003) and The Ladykillers (2004). Sadly, they've done it again with Hail, Caesar!.

It's obvious that the Coens hold a keen interest in the old Hollywood system of the 1940's and 50's. They were satirising the world they view with a certain curiosity and perhaps a little disdain back in 1991 with the outstanding Barton Fink. Yet while that film portrayed a bleak, subdued world full of madness and loneliness as John Turturro's titular script-writer struggled with his work and his own demons, Hail, Caesar! is the glitzy, garish world of big-budget biblical epics and movie stars with everything to hide. Studio head Eddie Mannix (Josh Brolin) is the man to try and hold it all together, from having to shield his actors' shady pasts from pesky twin journalists Thora and Thessaly Thacker (both Tilda Swinton) to handling an organisation of academic-type communists who have kidnapped his biggest star Baird Whitlock (George Clooney).

Working almost like a series of loosely-connected vignettes, the Coens also weave numerous sub-plots into the mix. Mannix must also deal with the issue that one of his leading ladies, DeeAnna Moran (Scarlett Johnansson) is unmarried but with child and can no longer fit into her mermaid costume. Singing cowboy actor Hobie Doyle (Alden Ehrenreich), a pretty face more accustomed to strumming the guitar and riding horseback, is thrown into a drama role at the last minute, much to the frustration of sophisticated director Laurence Laurentz (Ralph Fiennes). There are smaller roles also for Channing Tatum, Frances McDormand and Jonah Hill in what is an unnecessarily bulky ensemble that the Coens struggle to keep a grasp of. With no real sense of direction, Hail, Caesar! often feels like a collection of clips from separate, better movies.

Despite the narrative flaws, there's still plenty to savour. Those distinctly 'Coen-eque' moments are peppered throughout, with Hobie's awkward first day on set and Channing Tatum's musical tap-dance being particular standouts. Although Brolin excels and Clooney makes for a very convincing wimp, Ehrenreich is the one who steals the movie as the extremely likeable dimwit who may actually be the only one paying attention. He demonstrates great comic timing and all the charm of the western idols his character is paying homage to, and he seems the perfect fit for a young Han Solo in Disney's as-yet untitled origin story. The film may have even worked better as a whole with Hobie as the lead and doing away with several side-stories. Instead, it is an unfocused splurge of good ideas rather toothlessly executed but wonderfully performed. Definitely lower-league Coen.


Directed by: Ethan Coen, Joel Coen
Starring: Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Scarlett Johansson, Tilda Swinton, Channing Tatum, Frances McDormand, Jonah Hill
Country: UK/USA/Japan

Rating: ***

Tom Gillespie



Hail, Caesar! (2016) on IMDb

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