Showing posts with label Byron Howard. Show all posts
Showing posts with label Byron Howard. Show all posts

Monday, 13 June 2016

Review #1,033: 'Zootopia' (2016)

Cute, talking animals are, of course, nothing new when it comes to Disney. Whether they are an anthropomorphic swash-buckler or a wide-eyed human's sidekick, I couldn't name one of Disney's animated output that didn't feature a cuddly creature. Their latest, Zootopia, may seem much more of the same then, with it's richly-imaged world of upright rabbits, polar bears, hippos and the like, all living together in harmony in the titular metropolis. You can put away your preconceptions however, as Zootopia is without doubt the corporate giants bravest and most relevant picture to date, and one with a strong message for its young audience that will hopefully rub off on at least a few viewers.

Young, determined bunny Judy Hopps (Ginnifer Goodwin) grows up in the rural Bunnyburrow, a small town in a larger world where predators and prey have evolved to live together peacefully. Her parents hope she'll grow up to appreciate the quiet life of selling carrots and raising a family, but she has other ideas, and hopes to one day travel to the big city of Zootopia to become a police officer. Despite facing prejudice due to her gender and her size, she eventually graduates from Police Academy top of her class, and is soon in Zootopia fulfilling her dream. But when she arrives, her colleagues instantly doubt her ability as the precinct is traditionally made up of more formidable animals, and is quickly assigned to parking duty by Chief Bogo (Idris Elba).

Frustrated at the clear-cut discrimination, Judy decides to be the best parking attendant there ever was. It is while she is stamping every vehicle with a ticket the second they're in violation that she learns that prejudice goes both ways, meeting the seemingly down-and-out fox Nick Wilde (Jason Bateman), the exact kind of prey Judy suffered physical harm from as a child. Her suspicions turn out to be true, and Nick is indeed a 'sly' fox, but comes to learn that he acts like a fox because society treats him and expects him to be like one. Begging for a chance at something more challenging, Bogo gives Judy the task of tracking down missing person Mr. Otterton with an ultimatum that she must resign if she fails. Suspecting his street-smarts may be of an asset to her investigation, Judy blackmails Nick into helping her, and uncover a series of bizarre incidents where predators are returning to their primal state.

While it may sound like a heavy-handed educational piece on the folly of racism and pre-judgement, it actually isn't, as Zootopia is also an explosion of imagination for the vast majority of its 110-minute running time. Judy's arrival at Zootopia, as she is whisked through an array of eco-systems, designed to sustain the many different kinds of inhabitants, is a complete joy. While some jokes fail to hit the mark, like the Godfather gag that may have been funny thirty years ago, others are ingenious. It may seem obvious to employs sloths at the DMV, but the scene is still laugh-out-loud even though they played it in it's entirety in the trailer. But Zootopia isn't memorable for its comedy value, but the way it delivers its message. Without being preachy or overly-sentimental, the film actually feel frustrated at society. We have surely evolved past pretty prejudice and stereotyping, so what drives the hate? The film hints at fear induced, which is a bold statement on its own.


Directed by: Byron Howard, Rich Moore
Voices: Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, J.K. Simmons
Country: USA

Rating: ****

Tom Gillespie



Zootopia (2016) on IMDb

Thursday, 18 July 2013

Review #635: 'Tangled' (2010)

The past decade has seen the giant corporation that is the House of Mouse, Disney, struggle somewhat with their output, never managing to recapture the magic of the early classics, nor the rich comedy and iconic music of their 90's re-emergence. They've now bought Pixar, who are still making movies that are very much their own, and the rights to the Star Wars franchise, so money-making is still a dead cert. But in a quest to re-discover their old magic, they went back to the tried-and-tested, and admittedly dated, tradition of the fairytale, and by combining this with the visual humour of Dreamworks' output (but funnier) and some truly dazzling CGI/hand-drawn animation, they've managed to create arguably their first success in years with Tangled, a re-imagination of the Rapunzel fairytale.

After discovering that a magic flower has the ability to temporarily restore her youth, Mother Gothel (Donna Murphy) lives for centuries until a king steals the flower to heal with deathly ill and pregnant queen. She lives, and gives birth to Rapunzel (Mandy Moore), whose hair seems to possess the same magical powers as the flower. Gothel kidnaps the baby and takes her back to a high tower, where she grows up to be a bubbly, but lonely teenager. Because cutting her hair causes the lock to lose its magical power, Mother Gothel forbids Rapunzel to cut her hair, which by her eighteenth birthday, is about fifty feet long. After Gothel is out one day, the thief Flynn Rider (Zachary Levi), after the stealing the queen's crown, escapes his pursuers into Rapunzel's tower.

My main issue with Tangled is something that plagues most, if not all, of today's musicals, and that is that the songs are simply not up to scratch. It's gotten so bad that we don't even get a bad but annoyingly catchy soundtrack by a pop star has-been (I'm looking at you, Phil Collins!), and we are forced to sit through many instantly forgettable musical numbers. But where it did surprise me, is the romance between Rapunzel and Flynn, where I found myself actually caring about their relationship, which is delicately handled and involves two easily likeable characters. It certainly doesn't break any ground, but this at least feels like Disney again, even peppering the film with moments of menace that evoke Snow White and the Seven Dwarfs (1937) and Pinocchio (1940). And the chameleon Pascal is one the best animal characters Disney have ever created.


Directed by: Nathan Greno, Byron Howard
Voices: Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman
Country: USA

Rating: ***

Tom Gillespie



Tangled (2010) on IMDb

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