Review #655: 'Time Bandits' (1981)

If you were once a young boy (or girl) who enjoyed riding their bike at breakneck speed or got their thrills from wandering off to places you were forbidden to go to, then you will totally get Terry Gilliam's Time Bandits. If adventure and danger were what spurred you on as a child, then you no doubt fantasised about travelling through time and meeting the famous historical figures you learned about whilst falling asleep in history class. Time Bandits is pure Boys Own adventure, making idiots out of the likes of Robin Hood and Napoleon, and even bringing six dwarves along for the ride. The plot is muddled and nonsensical, but the plot is beside the point - arguably just a McGuffin for some childish fun.

It tells the story of eleven year old Kevin (Craig Warnock), who, when not being ignored by his lazy absent-minded parents, spends his time doting on history, particularly Ancient Greece. One night, six dwarves come crashing out of his wardrobe holding a map that they claim show the world's time portals, that they appear to have stolen from the Supreme Being (i.e. God, played at the climax by the wonderful Ralph Richardson). Kevin goes along for the ride, and finds himself meeting Napoleon (Ian Holm) during the Napoleonic Wars, Robin Hood (John Cleese) in the Middle Ages, and King Agamenmon (Sean Connery) in Ancient Greece (amongst others). Meanwhile, in the Fortress of Ultimate Darkness, the technologically obsessed Evil (David Warner) is planning to steal the map and take over the world.

The set design is fantastic in this film, and the main credit should go to that department. The sets look as if constructed from the mind of a child, paying no real attention to historical detail or a 'lived-in' feel - this is all pure fantasy. The film rushes at such a breakneck speed that we don't get to spend enough time with these characters in their times, and this was my main (and only) problem with Time Bandits. Thankfully, these scenes are packed with so much wit by writers Gilliam and Michael Palin (who also appears as the dim-witted romantic Vincent), that it is hard to care too much. This is not Monty Python though, there is humour here for children and adults both, but it's just as funny. John Cleese's over-enthusiastic Robin Hood was a particular stand-out for me.

Gilliam also uses the film to take some sly satirical digs at the emergence of technology, juxtaposing Evil's plan to use computers to carry out his evil deeds alongside Kevin's active imagination and sense of wonder. His parents are bone-idle idiots that get excited at the idea of a microwave cooking their dinner in quick time, and technology is clearly viewed by Gilliam as something that will rot the imagination. This isn't entirely true of course - technology can inspire innovation - but I often see young children staring open mouthed and expressionless at their mobile phones when they should be annoying their parents or getting up to something they shouldn't be, so I can certainly sympathise with Gilliam's concerns. But Time Bandits is mainly about adventure and the wonder of a child's imagination. Funny, manic, and occasionally moving, this is one of the definitive movies about childhood, and how we occasionally long for it.


Directed by: Terry Gilliam
Starring: Craig Warnock, John Cleese, Sean Connery, Shelley Duvall, Katherine Helmond, Ian Holm, Michael Palin, Ralph Richardson, Peter Vaughan, David Warner
Country: UK

Rating: ****

Tom Gillespie

Review #442: 'The Island' (1980)

Oh, Peter Benchley, did you ever write a narrative that didn't involve the ocean in some manner? Well, no! After the huge success of his fishy saga, Jaws (both book and the massively superior film), his output was generic to say the least. The Deep (1977) was a story of deep sea divers, Hunters of the Reef (1978), is self-explanatory, and The Beast (1996), also incredibly obvious. And here, The Island, is a story of the high seas, of quasi-seventeenth century pirates, living in obscurity in modern-day Bahamas. A promising opening sees a crew of boat-dwellers being attacked, with all the gruesome and graphic horror of axes plunging into heads (reminiscent of the opening of John Carpenter's The Fog (1980 - Review #268) - but without the supernatural elements).

The opening sequence turns out to be a spate of mysterious "boat" disappearances, much like the Bermuda triangle enigma. Blair Maynard (Michael Caine), a New York journalist (of "Limey" origin), sets out for the island of Navidad with his son Justin (Jeffrey Frank). After a dramatic entrance to the island, they charter a boat for a father-son fishing trip, where they are kidnapped by pirates, headed by John (the always watchable David Warner). The son is bizarrely indoctrinated into the gang immediately, and he becomes instantly suspicious of his father (?). Did daddy not take you to Disneyland? Typical civilised children!

It's a pretty banal affair that becomes tiresome and predictable. Warner does bring his usual charm to the screen, but even he struggles with a tedious script. His pirate gang is littered with familiar faces (Dudley Sutton, Frank Middlemass, Don Henderson), and there are even some relatively humorous dialogue. For example, after the boarding of a boat, the female pirate, Beth (Angela Punch McGregor), asks what the white powder on the floor is. Blair answers: "It's medicine called cocaine." Beth: "What does it cure?" Blair: "Insecurity." However, this does not save a dubious affair, despite some competent direction from Michael Ritchie, who had previously worked on The Candidate (1972).


Directed by: Michael Ritchie
Starring: Michael Caine, David Warner, Angela Punch McGregor
Country: USA

Rating: **

Marc Ivamy