Review #1,439: 'Alice in Wonderland' (1951)

Long before animation pioneer Walt Disney wowed the cinema-going world with Snow White and the Seven Dwarfs - one of the first feature-length animated films ever made - in 1937, the innovator was long dreaming of adapting Lewis Carroll's books Alice's Adventures in Wonderland and its follow-up Through the Looking Glass. He made a short adaptation called Alice's Wonderland, which mixed live-action and animation, for the Laugh-O-Gram Studio in 1923, but never let go of the idea after the studio went bankrupt and he left for Hollywood. Disney's dream wouldn't be fully realised until 14 years after Snow White, when Alice in Wonderland was finally unveiled in 1951. The film flopped upon release, with audiences failing to be seduced by the many colourful yet incredibly weird characters on show, but through television screenings and subsequent revivals, Alice is now an established classic amongst Disney's animated classics.

As her sister reads under a tree, the young Alice (Kathryn Beaumont) dreams of adventure, choosing to explore her own imagination rather than the tales told in books. As she sings by a riverbank, she spots a white rabbit (Bill Thompson) carrying a huge pocket watch. The White Rabbit is late for an important meeting and dashes off into a large rabbit hole. Ever curious, Alice follows him, eventually entering a world in which logic has no place, everything is backward, and everybody is ever so slightly mad. Her adventure into this strange new world leads her to the rather frightening identical twins Tweedledum and Tweedledee (both voiced by J. Pat O'Malley), a garden of singing flowers who soon reveal their weirdly fascist outlook, a hookah-smoking caterpillar (Richard Haydn), the mischievous Cheshire Cat (Sterling Holloway), and, of course, a truly mad tea party hosted by the Mad Hatter (Ed Wynn) and March Hare (Jerry Colonna). This bizarre world known as Wonderland seems to offer no way out, so Alice seeks help from the tyrannical and homicidal Queen of Hearts (Verna Felton), who has a fondness for removing heads.

There is really no meaning or hidden depths to be found in Carroll's books, and Disney's adaptation is no different. It seems to exist simply as a celebration of the wonders of childish imagination and an opportunity for creative abandon. The result is a nonsensical story with little time for structure or purpose, but one that has stood the test of time through the wonderful characters it imagines. It's an often frustrating experience that offers little sense of direction, and I wouldn't be surprised if some younger viewers were put off by the narrative's excessive randomness or utterly terrified by some of the more sinister characters on show. Yet Disney knew exactly how he wanted to portray these characters, and backed by some stellar talent behind the microphone, Alice in Wonderland prevails as a series of memorable vignettes. The Mad Hatter and Cheshire Cat are now embedded into the fabric of pop culture, and that is mainly thanks to Disney and his team of animators. These are truly insane, even malevolent, characters, but Disney knows how to make them lovable, even when they are toying with our protagonist or leading her further into the madness. It's more a nightmare you can't wake up from than a children's adventure story, and while it won't top many people's lists of favourite Disney movies, there is a unique sense of wonder here that could not be found in Tim Burton's over-stylised 2010 remake.


Directed by: Clyde Geronimi, Wilfred Jackson, Hamilton Luske
Voices: Kathryn Beaumont, Ed Wynn, Richard Haydn, Sterling Holloway, Jerry Colonna, Verna Felton, J. Pat O'Malley
Country: USA

Rating: ***

Tom Gillespie

Review #982: 'The Jungle Book' (1967)

Listed as number 19 in the Walt Disney Animated Classics series, The Jungle Book is one of the House of Mouse's most beloved films. Loosely based on Rudyard Kipling's book of the same name, Disney demanded a sure-fire hit after the underwhelming response to The Sword in the Stone (1963) and removed any hints of the darkness of Kipling's text in favour of a more child-friendly experience. The last movie to be produced by Walt before his death in 1966, the result is one of the most effortlessly charming films he ever presided over. Featuring possibly the most memorable and catchy song in Disney's history (Bare Necessities), he at least he went out on a high note.

Mowgli (voiced by director Wolfgang Reitherman's son, Bruce) is a young orphan boy who, after being discovered in the deep jungle in a basket by Bagheera the Panther (Sebastian Cabot), is raised for the next 10 years in a wolf pack. After learning that the monstrous, man-eating tiger Shere Khan (a wonderful George Sanders) has returned to the jungle, the pack decide that Mowgli must be taken to the nearby 'man-village' to be with own people for his own safety. Bagheera volunteers to escort him to safety, but he soon becomes frustrated with Mowgli's insistence on staying in the jungle and leaves him the hands of Baloo (Phil Harris), a laid-back bear who promises Mowgli to never take him to the man-village.

With animation far below the standard set by Snow White and the Seven Dwarfs (1937) and a group of insufferable vultures modelled on the Beatles, The Jungle Book remains great despite its flaws by being so damn heart-warming. The final scene, as Mowgli gazes upon one of his own kind for the first time, is truly wonderful in its unsentimental simplicity. The music, by the Sherman Brothers and Terry Gilkyson, is one of Disney's best soundtracks, with Louis Prima's jazzy I Wanna Be Like You proving particularly toe-tapping. Cabot and Harris are fun as Mowgli's bickering escorts, but Sanders and Sterling Holloway - as the hypnotising Kaa the Snake - steal the show as the bad guys. One of Disney's very best.


Directed by: Wolfgang Reitherman
Voices: Phil Harris, Sebastian Cabot, Bruce Reitherman, George Sanders, Sterling Holloway, Louis Prima, J. Pat O'Malley
Country: USA

Rating: *****

Tom Gillespie