Review #964: 'The Girl Cut in Two' (2007)

The Girl Cut in Two was one of the great Claude Chabrol's final films in an astonishing career that span 58 years before his death in 2010. The former Cahiers du Cinema journalist was famously a huge fan of the work of Alfred Hitchcock, writing about the Master of Suspense at length for the magazine before Chabrol's own work weaved together Hitchcock's sublime blend of melodrama and tension with Chabrol's own French New Wave (his debut Le Beau Serge is widely considered the first). This 2007 effort does much of the same, but the emphasis is more on the melodrama for the main bulk of the film and it lacks the New Wave edge of his early, greater works.

Pretty young weather-girl Gabrielle (Ludivine Sagnier) catches the eye of the rich and famous author Charles Saint-Denis (Francois Berleand) when the latter is interviewed at the TV station she works for. Charles performs a book signing at Gabrielle's mother's book store, where he is confronted by the filthy-rich heir to a pharmaceutical company, Paul Gaudens (Benoit Magimel), while Charles invites Gabrielle to accompany him to an auction. The clearly unhinged Paul also lusts after Gabrielle, and begins an aggressive pursuit of her while she is off falling in love with the arrogant and pretentious (and married) Charles.

Sagnier is particularly lovely as a character who may have come across as spoiled and selfish if not handled quite so delicately. There are fewer things quite as uncomfortable to watch than a nice girl caught up in a love triangle with two absolute arseholes, and Berleand and Magimel certainly bring a complexity, and even flashes of sympathy, to their loathsome man-children. Gabrielle is pulled back and forth between the two - the metaphor of the title also plays out almost literally in a slightly surreal final scene - and this goes on for quite a while. It gradually builds up to the inevitable and the film begins to feel more juicy, however by the time this happens there aren't quite enough minutes remaining to fully explore its full potential. Certainly engaging but one of the French auteurs lesser works.


Directed by: Claude Chabrol
Starring: Ludivine Sagnier, Benoît Magimel, François Berléand, Mathilda May
Country: France/Germany

Rating: ***

Tom Gillespie

Review #673: 'Lifeforce' (1985)

Of all the crazy films Cannon Films put out there between their emergence in 1967 to their demise in 1993, I doubt any are quite as out-there as Lifeforce, Tobe Hooper's half space-opera, half end-of-the-world thriller. Although it's far from his best film, Hooper clearly had big visions for Lifeforce and, with some confidant support from the film's producers, it looks visually impressive. Starting out as essentially an Alien (1979) rip-off (didn't they all around this era?), the film moves on to vampire movie, action movie, zombie movie and then disaster movie. It's an insane trip, but, if you can forgive its many, many flaws, this is actually a lot of fun.

The crew of space shuttle Churchill locate an alien craft inside the corona of Halley's Comet, and inside they find hundreds of dead alien bodies, as well as three humanoids, suspended and frozen inside glass pods. On their return journey, all contact is lost with mission control. The rescue mission find the entire crew dead from a fire, but the humanoids intact. The aliens are taken back to a research centre in London, watched over by Dr. Fallada (Frank Finlay). While there, the female alien awakens and sucks the 'life force' out of a guard, turning him into a shrivelled zombie. She escapes, and S.A.S. operative Col. Caine (Peter Firth) and Col. Carlsen (Steve Railsback) - whose escape pod from Churchill is found in Texas - start trying to track down the mysterious alien vampire.

If the movie has one trump card, it is in the form of Mathilda May, who plays the female vampire. She is a woman of such staggering beauty that you can understand Carlsen's relentless pursuit of her, and the storyline that she has placed a kind of a love spell on him seems that little bit less ridiculous. Special mention must also go to John Dykstra (winner of the Academy Award for Star Wars (1977)), whose special-effects are still impressive to this day. The problems are that the plot is too convoluted, the acting is awkward, and Tobe Hooper over-reaches himself. It seems like his vision was so big, that he forgot to make it small enough to fit into 116 minutes and make a coherent movie. Still, it's a million times better than most sci-fi B-pictures of its era, and if you let it simply wash over you, Lifeforce is a bonkers hoot.


Directed by: Tobe Hooper
Starring: Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, Patrick Stewart, Michael Gothard
Country: UK/USA

Rating: ***

Tom Gillespie