Review #880: 'Mea Maxima Culpa: Silence in the House of God' (2012)

Never a film-maker to shy away from trying to make sense of a somewhat catastrophic event or subject matter, Academy Award winning documentary film-maker Alex Gibney tackles the subject of paedophilia in the Catholic church. From the bottom, where apparently celibate priests have free reign over their own church relatively unsupervised to take confessions inside a broom cupboard and prey on children while they sleep, to the very top, where cardinals cover-up or ignore the problem, and the Pope fails to acknowledge the many flaws in their beloved system. It's a film of two halves, each powerful and expertly crafted in their own right, but failing to come together into a cohesive narrative.

The first half is the most powerful and heart-breaking. Throughout the 1960's, priest Lawrence Murphy sexually molested in the region of 200 young boys. At the St. John School for the Deaf in Milwaukee, four men tell their own unique and frightening stories of the abuse they suffered and the lack of help available. Similar to many families in this period, their families could not sign and therefore could not understand their cries for help. Signing to the camera and narrated by actors Jamey Sheridan, Chris Cooper, Ethan Hawke and John Slattery, the four men's disabilities become a metaphor for the years of silence endured by other victims of no handicap, who over the course of time have heard their cries fall on closed ears, especially when it came to calling out for justice or at least an explanation from the Vatican itself.

When the film shifts into its second phase, it becomes more conspirational and less human, throwing us facts and archive imagery as Gibney looks under every rock he can find. What he uncovers is hardly surprising - a huge Vatican cover-up and the relocation of many priests finding themselves under scrutiny from the locals were covered in somewhat less detail in Amy Berg's unsettling Deliver Us From Evil (2006) - but he is searching for some kind of explanation. Hearing of abuse cases dating back hundreds of years among the priesthood, it seems the Vatican see the problem more as an inevitability. It often feels like Gibney is clutching at straws, trying to find a link to every corner of the corridors of power, and the absence of any spokesperson from the Vatican is an admittedly unsurprising disappointment. But it avoids the pitch-fork waving approach, and tells us of a very real problem for which we have few answers for.


Directed by: Alex Gibney
Country: USA/UK

Rating: ****

Tom Gillespie