Review #1,473: 'Monsters vs. Aliens' (2009)

When it comes to big-screen animation, it's pretty widely accepted that Pixar frequently mines critical and commercial gold whilst their biggest rival, Dreamworks Animation, provides the fluff. Pixar certainly possess the largest awards cabinet, but Dreamworks know how to attract an audience, with the likes of Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon all developing into successful franchises with memorable characters. With the market now aggressively over-saturated with animated efforts for the whole family, a few of their titles have flown under the radar, and sometimes unfairly. 2009's Monsters vs. Aliens is one such example: a fun, funny and heartfelt throwback to 50's B-movies that spawned some spin-off shorts, but wasn't successful enough to warrant a sequel.

In California, Susan Murphy (Reese Witherspoon) is waiting to marry her vain TV weatherman fiance Derek (Paul Rudd), who has just announced the news of a job offer in another state. Before the wedding ceremony kicks off however, a huge asteroid crashes down on top of Susan. and although she appears unaffected at first, the mysterious energy given off by the rock causes her to grow to enormous size. With her head now peaking through the roof and the guests running for their lives, the military are quick on the scene, capturing Susan and taker her to a secret government facility ran by General W.R. Monger (Kiefer Sutherland), who has been hoarding a collection of strange monsters for decades.

There she meets fellow captives B.O.B. (Seth Rogen), a boneless blob of blue goo; Dr. Cockroach Ph.D. (Hugh Laurie), a genius half-man, half-insect; The Missing Link (Will Arnett), a hybrid of sea creature and ape, and Insectosaurus, a gargantuan mutated bug. Their futures look increasingly bleak, but when alien Gallaxhar (Rainn Wilson) arrives on Earth in search of the crashed meteorite, US President Hathaway (Stephen Colbert), gives Monger the go-ahead to put his freaky prisoners to the test and straight into battle with the intergalactic invader.

B-movie fans will spot the homages immediately, and there's enough of a modern twist to the rag-tag gang of 'monsters' to delight any children watching. The references are obvious: there's Attack of the 50 Foot Woman, The Blob, The Fly, Creature from the Black Lagoon and Mothra, but the characters are so lovingly crafted and terrifically voiced by a talented cast that they feel more love letter than straight rip-off. Although there are a few laugh-out-loud moments, Rob Letterman and Conrad Vernon's film, working from a script by no less than five writers, fails to be consistently funny, and the arrival of Gallaxhar is a one-note plot device designed to bring everybody together. But there are some exciting set-pieces, particularly whenever the weirdly adorable Insectosaurus is involved, and there is enough heart woven into its fabric to make Monsters vs. Aliens one of Dreamworks' most underappreciated animations.


Directed by: Rob Letterman, Conrad Vernon
Voices: Reese Witherspoon, Seth Rogen, Hugh Laurie, Will Arnett, Kiefer Sutherland, Rainn Wilson, Stephen Colbert, Paul Rudd
Country: USA

Rating: ***

Tom Gillespie

Review #394: 'Super' (2010)

"Don't molest little boys!" shouts Super's mentally unstable protagonist Frank (Rainn Wilson) after splitting a paedophile's head open with a wrench. After recent 'superhero' films Watchmen (2009) and Kick-Ass (2010) explored the mentality behind the superhero/vigilante idea to various degress of seriousness, Super arrived in 2010 with yet another take on it, again with a different tone. While Watchmen held a mirror to the audience and created a vast and complex alternative world that portrayed its 'superheros' as as pornographic as they are borderline psychopathic, and Kick-Ass revelled in it's bloodshed and questioned audiences' enjoyement of the slaughter, Super does both but is more interested in its emotionally damaged and extremely lonely main character who thoroughly believes that his actions are justified.

Frank is a short-order cook whose recovering drug-addict wife Sarah (Liv Tyler) disappears from their apartment taking all her belongings with her. She seems to have disappeared with her sleazy club owner boss Jacques (Kevin Bacon), who is on the verge of a large heroin deal. After seeing a crappy low-budget Christian message television programme where superhero the Holy Avenger (Nathan Fillion) teaches Christian values to tempted high-school kids, Frank makes himself a costume and dubs himself the Crimson Bolt, taking out bad guys with a pipe wrench. He becomes a cult vigilante, and the object of comic book store owner's Libby's (Ellen Page) curiosity. The two form a partnership, but Libby's hyperactivie personality and eagnerness for bloodshed becomes a problem.

The film's main problem is the uneveness of its tone, which switches from dark indie drama to cartoonish comedy violence to disturbing character study. Like Kick-Ass, the film is extemely violent, yet Super is set in a murky, grainy reality as opposed to Kick-Ass's very colourful, comic-book world. This, for me, made the film more of an entertaining curiosity rather than the film it perhaps could have been. I cannot deny that the film is entertaining though. Opening with a nicely animated credit sequence, the film moves quickly and is anchored by an impressive performance by Wilson, who juggles comedy with a dark intensity. Page almost steals the show as his sidekick who is as sexy as she is bat-shit crazy. After all the carnage, the film is wrapped up nicely with a sweet and really quite moving ending. Whatever you think of the film, it will no doubt make you want to shout "shut up, crime!" whenever someone next pisses you off.


Directed by: James Gunn
Starring: Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Gregg Henry, Michael Rooker, Nathan Fillion
Country: USA

Rating: ***

Tom Gillespie