A saint is precisely how Scorsese views the Dalai Lama, and Melissa Mathison's script paints him like a key religious figure whose teachings can now only be read in scripture. As of 2017, Gyatso is still alive and reigning, although the film begins in 1937. This almost mythical presence does work in the context of Buddhism however, as if their beliefs in reincarnation are true, then Gyatso is just another body containing a soul hundreds of years old. As a young boy (played by Tenzin Yeshi Paichang at 2 years old), he is shown various objects, some of which belonged to the previous Dalai Lama, by some Tibetan monks. He chooses correctly, and is taken away to lead, but as to whether this was the expression on the monks face as he fondled the items or genuine reincarnation, Scorsese lets you ponder. He grows old and wiser, and faces difficult decisions as Imperial China invade to claim Tibet as their own.This is undoubtedly Scorsese's most beautiful picture, and he takes his time to admire the lavish golds and reds of the ceremonial robes, as well as the intricate creation of Bhavachakra and its inevitable destruction, all backed by Philip Glass' haunting score. The decadence comes at a price however, as although we spend near enough the entire screen time with the Dalai Lama, we learn little about Gyatso. He must suffer his decisions in relative silence, or in hushed utterances to his trusted council. The refusal to follow a traditional narrative makes for a slow-moving if never boring movie, with the drama punctured by a powerful sequence depicting Gyatso standing in a sea of slaughtered monks. While it may leaving us questioning who this man truly was, I can only admire Scorsese's insistence on making the movie he wanted to make. Movies like Kundun are the reason why the director will always be remembered as a true master of his craft.
Directed by: Martin Scorsese
Starring: Tenzin Thuthob Tsarong , Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Country: USA/Monaco
Rating: ****
Tom Gillespie
